Wednesday 22 September 2010

ONE DAY PROJECT

Blur – Parklife song research


Parklife is the third studio album by the English alternative rock band Blur, released on 25 April 1994 on Food Records. After disappointing sales for their previous album Modern Life is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "End of a Century", "Parklife" and "To the End". The album was certified quadruple platinum in the United Kingdom.

After the completion of recording sessions for Blur's previous album, Modern Life Is Rubbish, Damon Albarn, the band's vocalist, began to write prolifically. Blur demoed Albarn's new songs in groups of twos and threes. Due to their precarious financial position at the time, Blur quickly went back into the studio with producer Stephen Street to record their third album. Blur met at the Maison Rouge recording studio in August 1993 to record their next album. The recording was a relatively fast process, apart from the song "This Is a Low". The album cover for Parklife was among the ten chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010. The front cover of the album was not shot at the venue, but pictures of the band enjoying a night out at the racecourse feature inside the CD booklet.

Blur background information

Blur are an English alternative rock band. Formed in London in 1989 as Seymour, the group consists of singer Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree. Blur's debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change—influenced by English guitar pop groups such as The Kinks, The Beatles and XTC—Blur released the Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995) albums. As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a famous chart battle with rival band Oasis dubbed "The Battle of Britpop". In recording their follow-up, Blur (1997), the band underwent another reinvention, showing influence from the lo-fi style of American indie rock groups. "Song 2", one of the album's singles, brought Blur mainstream success in the US. The last album featuring Blur's original lineup, (1999) found the band members experimenting with electronic music and gospel music, as Albarn wrote more personal lyrics. In May 2002, Coxon left Blur during the recording of their seventh album Think Tank (2003). Containing electronic sounds and more minimal guitar work, the album was marked by Albarn's growing interest in hip hop and African music. After a 2003 tour without Coxon, Blur did no studio work or touring as a band, as members engaged in other projects. In 2009 Blur reunited, with Coxon back in the fold, for a series of successful concerts.


This is the original album cover for the song:












This is the final design for the front cover of the cd case, which i think works well because it suites the style of the track and the pictures are clear and are related to the title of the track.

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